Striweb has a new face. The same studio, the same work, and a site that finally behaves like the things we make for other people: calm, precise, and easy to move through.
For a long time the website did its job and little more. It listed services, showed projects, and answered the phone. It did not feel like a place you would stay in. The redesign starts from that gap. We wanted a public home that carries the same discipline we ask of a client site: a clear first sentence, room to breathe, and nothing on the page that does not earn its place.
The new Striweb is dark on purpose. Black, graphite, and a soft off-white type, set in Montserrat. Color is reserved for the work itself. Project images are no longer washed out. They sit in a layout that changes shape as you move down the portfolio, so a large piece and a smaller one can share a row without looking like a catalog. The rest of the site stays quiet so those images can speak.
Motion is there, but it does not perform. A slow grid, a small orbit, a photograph that drifts as you hover, a light that follows the cursor across a card. If you prefer less movement, the site leaves you alone. Nothing essential depends on an animation.
The menu was rebuilt as a single floating bar. The page you are on sits in a small capsule, and that capsule slides to the next link when you point at it. Languages are no longer four abbreviations in a row. A round flag opens English, Bulgarian, German, and French, and the same control lives in the phone menu. On a small screen the navigation opens as a numbered contents page, the way a magazine lists its pieces, and closes back into a simple mark.
Home is in the menu again. Heroes are shorter. The first thing you read is the point, not a banner. Forms, languages, and the work behind the pages are unchanged. What changed is the room they sit in.
We will keep tuning it. A site is not a launch. It is a place we use every day, with clients, and it should keep getting clearer. If you have been here before, look again. If you are new, start with the work.
